Christina Narwicz bases much of her work on the natural world. Although often abstracted, the painter’s organic themes clearly reference botany, the Caribbean Islands, the constantly changing environment as well as her own garden. Narwicz  has exhibited nationally and internationally in both solo and group shows. Her paintings have been featured in publications such as Metropolitan Home, Omaha Magazine, Florida Design Magazine, The Palm Beacher, the World Herald and Vail Luxury Real Estate. Awarded an Artist-in-Residence at the Bemis Center for Contemporary Arts, she has received grants from the National Endowment for the Arts and the Mid America Arts Alliance as well two Individual Artist Fellowship awards.  Most recently Narwicz has been nominated for the Joan Mitchell Foundation Grant.

Scientists and artists are distant cousins at the very least. Like a scientist my work is driven by curiosity that feels like what I imagine that kernel that is the first step of scientific exploration must feel like.  My work has always had a spontaneous and multi-streamed direction. Memory and the natural world are the starting points for my image making. My methods are very different and only a few are remotely of the “Scientific” variety none- the -less, I am continually searching and chasing my own intuitive experiments and theories. My findings fall into the poetic rather than that of the Journal Scientific.  Natural phenomenon like the physicality of water or the reciprocal qualities of honey and bees that create it fascinate me with their perfunctory and yet abstract qualities. The beginnings are the same as the endings and yet nothing is ever done (finished). These new works are another step in my exploration of collective memory in the context of our place in the cyclical nature of nature and the fluid nature of the mind