Matt Story

Artwork

Blue Wave Blond (1/25)

Matt Story

Blue Wave Blond (1/25)

Limited Edition on Metal

40 x 60 in

Neon Blue Surfacing (1/25)

Matt Story

Neon Blue Surfacing (1/25)

Limited Edition on Metal

40 x 60 in

Purple Top Jostle

Matt Story

Purple Top Jostle

Archival Print on Aluminum

60 x 40 in

Striped Repose

Matt Story

Striped Repose

Aluminum Transfers

48 x 64 in

Yellow Back Cross (1/25)

Matt Story

Yellow Back Cross (1/25)

Archival Print on Aluminum

45 x 60 in

1
2
3
4
5
Matt Story
"I try to paint contemporary life as to capture crystals of pristine memory that we all share but never describe to one another. Each composition uses the gesture of figure or setting to evoke a platonic form, an archetypal notion, a distilled essence, that thing that lasts beyond the moment." Matt Story studied art from an early age and demonstrated a unique skill for rendering verisimilitude, or hyper-realism. "I was lauded for 'photo-realistic' technique, but I was never after that, really, after what a camera impartially sees, because there's so much more there, captured only by the human filter of memory. We all posses these invisible imprints, through experience and living, but often its only artists who can play it back for us, to remind us. The paint surface needs to be a mirror for the viewer, reflecting back not his or her superficial self, but a deep shared humanness. Story worked as a technical illustrator and graphic artist from his early teens, and studied art in the United States and Western Europe. After graduating from U.C.L.A. he worked extensively throughout North America in film and television production. "The collaboration drove me crazy at some point. Of course, the isolation in the studio can be challenging too, but it suits me far better. In fact, I'm filled with a melancholy at the end of the day and I can hardly wait to rise early and launch into the studio (to the chagrin of my family)." Story has worked for over twenty years from his studio in Los Angeles but in 2013 began traveling with his wife, and painting for extended periods in locations as diverse as Charleston, Santa Fe and New Orleans. He works from his studio in New York City now, often twelve or more hours a day and six or seven days a week. His method of oil painting on canvas and panel closely resembles the classical method, used for centuries by masters such as Titian and Caravaggio, two of Story's heroes, fastidiously building up thin glazes, painting "fat over lean" with traditional materials. His work is included in private and corporate collections in the United States, Europe and Asia.
Artist